{"id":165,"date":"2025-09-15T10:19:52","date_gmt":"2025-09-15T10:19:52","guid":{"rendered":"https:\/\/www.lab27.it\/nicola-cappellari-lasciarsi-sorprendere-dalla-marea-copy-copy-copy\/"},"modified":"2025-09-18T18:56:33","modified_gmt":"2025-09-18T18:56:33","slug":"dionisio-gavagnin-la-fotografia-della-gold-rush-californiana-1848-1855","status":"publish","type":"post","link":"https:\/\/www.lab27.it\/en\/dionisio-gavagnin-la-fotografia-della-gold-rush-californiana-1848-1855\/","title":{"rendered":"Dionisio Gavagnin. Photography of the California Gold Rush, 1848\u20131855"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":195,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[16],"class_list":["post-165","post","type-post","status-publish","has-post-thumbnail","hentry","category-eventi","tag-incontro"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dionisio Gavagnin. 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Photography of the California Gold Rush, 1848\u20131855<br \/><span class=\\\"_H1_Grey\\\">16.11.2025, 4:30 pm<\/span><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span class=\\\"_Def_Grey\\\">Talk with<\/span><br \/>Dionisio Gavagnin<br \/><a rel=\\\"noopener\\\" href=\\\"mailto:lab27.it@gmail.com\\\" target=\\\"_blank\\\"><\/a><\/p><p><span class=\\\"_Def_Grey\\\">RSVP<\/span><br \/><a rel=\\\"noopener\\\" href=\\\"mailto:lab27.it@gmail.com\\\" target=\\\"_blank\\\">lab27.it@gmail.com<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 2,\r\n      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Rush.<\/span><br \/><span>This journey, in the second half of the nineteenth century, intertwines with the so-called \u201cAmerican Renaissance\u201d in literature and Transcendentalist philosophy: Emerson, Thoreau, Melville, Whitman, and others helped forge an idea of nature as a spiritual and democratic experience, destined to shape photographic imagery as well.<\/span><br \/><span>With Carleton Watkins and his \u201cphoto-topographic\u201d method, a distinctly American vision took form\u2014one that united scientific precision with symbolic depth\u2014paving the way for the great photographers of the Westward expansion, such as Timothy O\u2019Sullivan and William Henry Jackson.<\/span><br \/><span>Gavagnin\u2019s talk will accompany us on this journey, showing how photography was able to narrate the birth of a cultural identity suspended between exploration, myth, and disenchantment.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      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\"\/wp-content\/uploads\/2025\/09\/Weston1-1-1920x1638.jpg\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2025\/09\/Weston1-1-1280x1092.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2025\/09\/Weston1-1-1024x873.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/09\/Weston1-1-768x655.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/09\/Weston1-1-512x437.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/09\/Weston1-1-265x226.jpg\"\r\n      },\r\n      \"w\": 2347,\r\n      \"h\": 2002,\r\n      \"ar\": 0.8530038346825735,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      },\r\n      \"caption\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span class=\\\"_Def_Grey\\\">Bio<\/span><br \/><span>A scholar of modern and contemporary art and literature, with a particular focus on poetry, Dionisio Gavagnin has published two volumes on the history of photography (<\/span><i>Homini &amp; Domini<\/i><span>, 2011; <\/span><i>Fini &amp; Confini<\/i><span>, 2018) and three poetry collections with Campanotto. He has curated exhibitions for museums, foundations, and galleries, including \\\"Le stanze dell\u2019arte\\\" (2012), \\\"Body\\\" (2015), \\\"Paesaggi anomali\\\" (2016), \\\"Incontri-Incanti\\\" (2018), \\\"Il Grande Risveglio\\\" (2021), and \\\"Le donne e la Fotografia\\\" (2021).<\/span><br \/><span>For Lab27, he co-curated in 2024 the exhibition \\\"From Atget to Basilico. Archaeology in Seeing.\\\"<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 1,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\",\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 10,\r\n  \"rowGutters\": [\r\n    40,\r\n    40,\r\n    40,\r\n    40,\r\n    40\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 64,\r\n  \"rightFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 60,\r\n  \"leftFrameMargin\": 10,\r\n  \"mus\": {\r\n    \"colGutterMu\": \"px\",\r\n    \"rowGutterMu\": \"px\",\r\n    \"topFrameMu\": \"px\",\r\n    \"bottomFrameMu\": \"px\",\r\n    \"frameMu\": \"px\"\r\n  },\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 26\r\n    },\r\n    {\r\n      \"relid\": 27\r\n    },\r\n    {\r\n      \"relid\": 39\r\n    },\r\n    {\r\n      \"relid\": 42\r\n    },\r\n    {\r\n      \"relid\": 52\r\n    },\r\n    {\r\n      \"relid\": 53\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_H1\\\">Dionisio Gavagnin. Photography of the California Gold Rush, 1848\u20131855<br \/><span class=\\\"_H1_Grey\\\">16.11.2025, 4:30 pm<\/span><\/h1>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span class=\\\"_Def_Grey\\\">Talk with<\/span><br \/>Dionisio Gavagnin<br \/><a rel=\\\"noopener\\\" href=\\\"mailto:lab27.it@gmail.com\\\" target=\\\"_blank\\\"><\/a><\/p><p><span class=\\\"_Def_Grey\\\">RSVP<\/span><br \/><a rel=\\\"noopener\\\" href=\\\"mailto:lab27.it@gmail.com\\\" target=\\\"_blank\\\">lab27.it@gmail.com<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span>Within the context of the exhibition \\\"America: Between Dreams and Disenchantment\\\", we are pleased to host a conversation with Dionisio Gavagnin, co-curator of the show, who will guide us back to the origins of American photography and its connection with the \u201cspirit\u201d of the United States.<\/span><br \/><span>Starting from the arrival of the daguerreotype across the ocean\u2014brought by Samuel Morse in 1839\u2014Gavagnin will retrace the pioneering phase in which photography spread both as a profession and as a documentary tool, from the first images by Mathew Brady to the works produced in the wake of the Gold Rush.<\/span><br \/><span>This journey, in the second half of the nineteenth century, intertwines with the so-called \u201cAmerican Renaissance\u201d in literature and Transcendentalist philosophy: Emerson, Thoreau, Melville, Whitman, and others helped forge an idea of nature as a spiritual and democratic experience, destined to shape photographic imagery as well.<\/span><br \/><span>With Carleton Watkins and his \u201cphoto-topographic\u201d method, a distinctly American vision took form\u2014one that united scientific precision with symbolic depth\u2014paving the way for the great photographers of the Westward expansion, such as Timothy O\u2019Sullivan and William Henry Jackson.<\/span><br \/><span>Gavagnin\u2019s talk will accompany us on this journey, showing how photography was able to narrate the birth of a cultural identity suspended between exploration, myth, and disenchantment.<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 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