{"id":359,"date":"2025-10-22T10:07:22","date_gmt":"2025-10-22T10:07:22","guid":{"rendered":"https:\/\/www.lab27.it\/?p=359"},"modified":"2025-11-13T19:30:28","modified_gmt":"2025-11-13T19:30:28","slug":"se-il-suolo-potesse-parlare","status":"publish","type":"post","link":"https:\/\/www.lab27.it\/en\/se-il-suolo-potesse-parlare\/","title":{"rendered":"If the Soil Could Speak"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":363,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[3],"class_list":["post-359","post","type-post","status-publish","has-post-thumbnail","hentry","category-mostre","tag-mostra"],"yoast_head":"\nIf the Soil Could Speak - LAB27<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lab27.it\/en\/se-il-suolo-potesse-parlare\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"If the Soil Could Speak - LAB27\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.lab27.it\/en\/se-il-suolo-potesse-parlare\/\" \/>\n<meta property=\"og:site_name\" content=\"LAB27\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/lab27.it\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-22T10:07:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-13T19:30:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.lab27.it\/wp-content\/uploads\/2025\/10\/1183259eZ7Dhipn.jpg.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" 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From its very title, the exhibition seeks to overturn the anthropocentric vision that dominates our society, giving voice to the earth and allowing a different, perhaps therapeutic, narrative to blossom\u2014one that might heal some of the world\u2019s afflictions. 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He reveals the intrusive nature of the human gaze in a compelling nocturnal vision that speaks of humankind as a voyeur\u2014one who confines nature within reserves and, in doing so, denies his own. His series <\/span><em>\u201cInhabitants\u201d<\/em><span> restores the title of true residents to animals and trees, questioning science as an infinite frontier that, through technology, claims the right to probe and explore the cosmos by any means and for any end. 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According to an ancient Siberian legend, God spilled a sack of treasures over this part of the country. A thick layer of permafrost covers vast reserves of coal, gas, gold, and diamonds. Here, in the frozen grip of an endless winter, lies the small mining town of Udachny, named after the nearby \u201clucky crater\u201d\u2014a chasm more than 600 meters deep, the world\u2019s largest open-pit diamond mine, providing both work and hope to the local population. All around stretches a frozen paradise of dense taiga and immense tundra plains: sturdy pines, rushing rivers, and towering mountains. Few people choose to live here, but Belgian photographer <\/span><strong>Hanne Van Assche<\/strong><span> has sought to give them a face.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 2,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 13,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_01jpg.png\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 25,\r\n \"attid\": 366,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_01jpg.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_01jpg-768x510.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_01jpg-512x340.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_01jpg-265x176.png\"\r\n },\r\n \"w\": 834,\r\n \"h\": 554,\r\n \"ar\": 0.6642685851318945,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"caption\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_02.png\",\r\n \"align\": \"top\",\r\n \"row\": 11,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28,\r\n \"attid\": 367,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_02.png\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_02-768x513.png\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_02-512x342.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_02-265x177.png\"\r\n },\r\n \"w\": 938,\r\n \"h\": 626,\r\n \"ar\": 0.6673773987206824,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"caption\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_03.jpg.jpeg\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 0,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 29,\r\n \"attid\": 368,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_03.jpg.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_03.jpg-768x514.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_03.jpg-512x343.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/10\/GabrielleDuplantier_03.jpg-265x177.jpeg\"\r\n },\r\n \"w\": 941,\r\n \"h\": 630,\r\n \"ar\": 0.6695005313496281,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"caption\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p><span>The <\/span><em>\u201clowlands\u201d<\/em><span> of <\/span><strong>Gabrielle Duplantier<\/strong><span> form an incidental ballad of landscapes battered by gusts of wind, and dramatic figures sculpted by time. Powerful yet delicate, the French artist\u2019s work thrives on natural contrasts: light and darkness, youth and age, grace and brutality, hope and death\u2014all emerging in the uncertain melody of existence. The unexpected, the serendipitous\u2014photography as a gaze upon the unforeseeable. Duplantier\u2019s practice reflects an awareness that what originates from the earth ultimately returns to us, as it forms the enduring backdrop of destiny. 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\"<p><span class=\\\"_Def_Grey\\\">Works of<\/span><br \/>Gabrielle Duplantier, Andrea Buzzichelli, Hanne Van Aasche<\/p><p><span class=\\\"_Def_Grey\\\">Curated by<\/span><br \/><span>Steve Bisson<\/span><\/p><p><span><span class=\\\"_Def_Grey\\\">Orari<\/span><br \/><\/span><span>Sunday 4:30pm\u20137:30pm<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Default\\\"><span>Lab27 opens on February 10 at 9:00 p.m. with the exhibition \\\"Se il suolo potesse parlare (I<\/span><em>f the Soil Could Speak)\u201d<\/em><span>, featuring photographs by Gabrielle Duplantier, Andrea Buzzichelli, and Hanne Van Assche. From its very title, the exhibition seeks to overturn the anthropocentric vision that dominates our society, giving voice to the earth and allowing a different, perhaps therapeutic, narrative to blossom\u2014one that might heal some of the world\u2019s afflictions. 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He reveals the intrusive nature of the human gaze in a compelling nocturnal vision that speaks of humankind as a voyeur\u2014one who confines nature within reserves and, in doing so, denies his own. His series <\/span><em>\u201cInhabitants\u201d<\/em><span> restores the title of true residents to animals and trees, questioning science as an infinite frontier that, through technology, claims the right to probe and explore the cosmos by any means and for any end. The work also serves as an homage to George Shiras III, a pioneer of wildlife photography.<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 31,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/10\/hva1-scaled.jpg.jpeg\",\r\n \"align\": \"bottom\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 21,\r\n \"attid\": 369,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/10\/hva1-scaled.jpg.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/10\/hva1-scaled.jpg-1920x2400.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/10\/hva1-scaled.jpg-1280x1600.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/10\/hva1-scaled.jpg-1024x1280.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/10\/hva1-scaled.jpg-768x960.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/10\/hva1-scaled.jpg-512x640.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/10\/hva1-scaled.jpg-265x331.jpeg\"\r\n },\r\n \"w\": 2048,\r\n \"h\": 2560,\r\n \"ar\": 1.25,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"caption\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/10\/Lucky-HVA1-scaled.jpg.jpeg\",\r\n \"align\": \"bottom\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 23,\r\n \"attid\": 380,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/10\/Lucky-HVA1-scaled.jpg.jpeg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2025\/10\/Lucky-HVA1-scaled.jpg-1920x2400.jpeg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/10\/Lucky-HVA1-scaled.jpg-1280x1600.jpeg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/10\/Lucky-HVA1-scaled.jpg-1024x1280.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/10\/Lucky-HVA1-scaled.jpg-768x960.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/10\/Lucky-HVA1-scaled.jpg-512x640.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/10\/Lucky-HVA1-scaled.jpg-265x331.jpeg\"\r\n },\r\n \"w\": 2048,\r\n \"h\": 2560,\r\n \"ar\": 1.25,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"caption\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p><span>The earth\u2019s lament then carries us to the far eastern reaches of Siberia, to the remote region of Yakutia, known as Russia\u2019s treasure chest for its abundance of natural resources. According to an ancient Siberian legend, God spilled a sack of treasures over this part of the country. A thick layer of permafrost covers vast reserves of coal, gas, gold, and diamonds. Here, in the frozen grip of an endless winter, lies the small mining town of Udachny, named after the nearby \u201clucky crater\u201d\u2014a chasm more than 600 meters deep, the world\u2019s largest open-pit diamond mine, providing both work and hope to the local population. All around stretches a frozen paradise of dense taiga and immense tundra plains: sturdy pines, rushing rivers, and towering mountains. 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