{"id":522,"date":"2025-11-12T18:02:58","date_gmt":"2025-11-12T18:02:58","guid":{"rendered":"https:\/\/www.lab27.it\/da-atget-per-basilico-larcheologia-nel-vedere-copy\/"},"modified":"2025-11-27T10:10:43","modified_gmt":"2025-11-27T10:10:43","slug":"come-nessun-uomo-sapra-mai","status":"publish","type":"post","link":"https:\/\/www.lab27.it\/en\/come-nessun-uomo-sapra-mai\/","title":{"rendered":"As No Man Will Ever Know"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":591,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[3],"class_list":["post-522","post","type-post","status-publish","has-post-thumbnail","hentry","category-mostre","tag-mostra"],"yoast_head":"\nAs No Man Will Ever Know - LAB27<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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4:30pm\u20137:30pm<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p><strong>Lab27<\/strong> opens on <strong>February 9th at 9:00 p.m.<\/strong> with the exhibition <strong><em>\u201cAs No Man Will Ever Know\u201d<\/em><\/strong>, featuring photographs by <strong>Nausicaa Giulia Bianchi, Anne Immel\u00e9, and Marisol Mendez<\/strong>.<\/p><p>Three projects give voice to three different stories that challenge our gaze, reproduce fragments of a world often unseen, and interpret it with commitment and courage. Like the waves in Virginia Woolf\u2019s writing, they unfold as interior monologues that filter lived experience, streams of images, and conscious choices\u2014revealing the possible. Photographs, at times, resemble tears: drops born in the darkness of consciousness, emerging out of necessity, as a response to the contradictions of society.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 2,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_5-1.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 44,\r\n \"attid\": 592,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_5-1.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_5-1-1280x1590.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_5-1-1024x1272.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_5-1-768x954.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_5-1-512x636.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_5-1-265x329.jpg\"\r\n },\r\n \"w\": 1610,\r\n \"h\": 2000,\r\n \"ar\": 1.2422360248447204,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_3-1.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 45,\r\n \"attid\": 590,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_3-1.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_3-1-1280x1598.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_3-1-1024x1278.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_3-1-768x959.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_3-1-512x639.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_3-1-265x331.jpg\"\r\n },\r\n \"w\": 1602,\r\n \"h\": 2000,\r\n \"ar\": 1.2484394506866416,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_2-2-1.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 46,\r\n \"attid\": 589,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_2-2-1.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_2-2-1-1280x1598.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_2-2-1-1024x1278.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_2-2-1-768x959.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_2-2-1-512x639.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/NausicaaGiuliaBianchi_2-2-1-265x331.jpg\"\r\n },\r\n \"w\": 1602,\r\n \"h\": 2000,\r\n \"ar\": 1.2484394506866416,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p><span>The ongoing photographic research <\/span><strong><em>\u201cDeath is a Photograph\u201d<\/em><\/strong><span> by <\/span><strong>Nausicaa Giulia Bianchi<\/strong><span> stems from a reflection on mourning and extends to contribute to the field of death studies, offering a visual and artistic approach to a subject often neglected or taboo in contemporary culture. The project engages with a wide range of experiences that intertwine life and death: from fatal accidents to organ transplants, near-death experiences, taxidermy, mediums, murderers, undertakers, and ghost hunters. The artist challenges the stereotypes and prejudices surrounding death to foster a deeper, more individual understanding of our own existence.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 2,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 31,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/01_dual-2-1.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 50,\r\n \"attid\": 580,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/01_dual-2-1.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/01_dual-2-1-1280x1965.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/01_dual-2-1-1024x1572.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/01_dual-2-1-768x1179.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/01_dual-2-1-512x786.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/01_dual-2-1-265x407.jpg\"\r\n },\r\n \"w\": 1303,\r\n \"h\": 2000,\r\n \"ar\": 1.5349194167306217,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/03_dolorosa-2-1.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 51,\r\n \"attid\": 582,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/03_dolorosa-2-1.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/03_dolorosa-2-1-1280x1910.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/03_dolorosa-2-1-1024x1528.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/03_dolorosa-2-1-768x1146.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/03_dolorosa-2-1-512x764.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/03_dolorosa-2-1-265x396.jpg\"\r\n },\r\n \"w\": 1340,\r\n \"h\": 2000,\r\n \"ar\": 1.492537313432836,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2025\/11\/02_cueva-2-1.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 52,\r\n \"attid\": 581,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2025\/11\/02_cueva-2-1.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2025\/11\/02_cueva-2-1-1280x1941.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2025\/11\/02_cueva-2-1-1024x1553.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2025\/11\/02_cueva-2-1-768x1165.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2025\/11\/02_cueva-2-1-512x776.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2025\/11\/02_cueva-2-1-265x402.jpg\"\r\n },\r\n \"w\": 1319,\r\n \"h\": 2000,\r\n \"ar\": 1.5163002274450341,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p><strong><em>\u201cMadre\u201d<\/em><\/strong><span> by <\/span><strong>Marisol Mendez<\/strong><span> was born from a desire to celebrate the diversity and complexity of Bolivian culture through a renewed representation of femininity. The project became a cathartic process of reimagining Bolivia\u2019s history through the figure of the woman. Each portrait evokes a blend of references rooted in magical realism and Andean baroque, weaving together myth and reality, truth and fiction. 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This exploration intertwines traces of the past with the vicissitudes of the present, opening spaces for reflection on the notions of refuge and hospitality. From the caves and remains of Phoenician shelters in Malta, to the quarry of Favignana, to the beaches of Tunisia\u2014where the dreams of refugees sometimes run aground\u2014the photographs, rooted in the geopolitical complexity of contemporary migration, move beyond reportage to propose a poetic trajectory.<\/p><p><em>The installation <strong>\u201cMelita \u05d8\u05dc\u05de\u2020\u2212ml\u1e6d, refuge\u201d<\/strong> (2022\u201323) by Anne Immel\u00e9, presented in preview at Lab27 in Treviso, anticipates a series of exhibitions scheduled for 2024: CNAP (Centre national des arts plastiques), Spazju Kreattiv (Malta), Malta Biennale 2024, EgliseArt Palermo, the Institut Fran\u00e7ais of Palermo, the French Embassy in Malta, the Institut Fran\u00e7ais of Turin, and JAOU PHOTO Tunisia.<\/em><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 2,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n 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