{"id":685,"date":"2025-12-09T20:53:44","date_gmt":"2025-12-09T20:53:44","guid":{"rendered":"https:\/\/www.lab27.it\/filippo-romano-nairobi-e-il-fiume-di-gente-che-cammina-copy\/"},"modified":"2026-01-16T11:51:33","modified_gmt":"2026-01-16T11:51:33","slug":"allegra-martin-e-ciro-battiloro-abitare-lo-spazio","status":"publish","type":"post","link":"https:\/\/www.lab27.it\/en\/allegra-martin-e-ciro-battiloro-abitare-lo-spazio\/","title":{"rendered":"Allegra Martin and Ciro Battiloro. 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Through\u00a0<b>Ciro Battiloro<\/b>\u2019s work, we enter the lives of two neighborhoods,\u00a0Rione Sanit\u00e0\u00a0in Naples and\u00a0Santa Lucia\u00a0in Cosenza, moving beyond the stigma of hardship.\u00a0<b>Allegra Martin<\/b>\u00a0invites us to rethink our relationship with space, challenging preconceived views and raising a fundamental question:\u00a0where do we live?<\/p><p>With a degree in architecture from Venice and inspired by the teachings of Guido Guidi and Stefano Boeri,\u00a0Allegra Martin,\u00a0originally from Treviso and now based in Milan, has adopted photography as her primary means of artistic expression and interpretation of the world. Her vision of landscape is profound, with a strong aesthetic component that does not aim merely to represent space but to speak of herself in relation to it. This approach has honed her observational skills and allowed her to tackle projects with different objectives: professional work, personal residencies, and self-commissioned endeavors. Whether documenting the walls of\u00a0Castelfranco Veneto, the seaside center of\u00a0Lido Adriano, the legacy of\u00a0Michelangelo Antonioni, the\u00a0National Census of Italian Architecture of the Twentieth Century, post-earthquake\u00a0L\u2019Aquila, or social life in\u00a0Emilia Romagna, her perspective remains consistently autonomous\u2014free from preconceived notions. This independence offers the observer a new way of perceiving space, perhaps even an invitation to see\u2014and reflect\u2014differently. Allegra Martin liberates herself from prejudicial readings, opening the field for new interpretations and empathetic relationships with places, grounded in her own sensitivity.<\/p><p>Two neighborhoods that once pulsed at the heart of their cities, later gradually abandoned and forgotten\u2014the story repeats. Places once central, now rejected by public opinion, labeled as disadvantaged, blamed, misrepresented by coarse communication and sensationalist reporting. Ciro Battiloro confronts this narrative, navigating the entrenched layers of decay to restore dignity\u2014not to poverty itself, but to human lives. He does so with remarkable naturalness, first and foremost a form of respect for the identity and diversity of these places, bearing witness to a sincere need for belonging. This is not a geography of the marginalized, but a search for happiness founded on other forms of wealth. Battiloro presents a different \u201cstate of consciousness\u201d in his photographic practice, going beyond merely documenting the \u201cstate of things,\u201d almost as if crossing a barrier. His work captures a spectrum of gestures, signs, glances, grimaces, and daily life that reminds us that we all travel in the same boat\u2014life\u2014which eventually faces its perils. Here lies the ethical intent: to construct a new common ground, starting from one\u2019s own gaze.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7,\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"attid\": 686,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16-1024x683.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16-768x512.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16-512x341.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16-265x177.jpg\"\r\n      },\r\n      \"w\": 1200,\r\n      \"h\": 800,\r\n      \"ar\": 0.6666666666666666,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      },\r\n      \"caption\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 6,\r\n  \"colGutter\": 10,\r\n  \"rowGutters\": [\r\n    40,\r\n    40,\r\n    40\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 64,\r\n  \"rightFrameMargin\": 10,\r\n  \"bottomFrameMargin\": 60,\r\n  \"leftFrameMargin\": 10,\r\n  \"mus\": {\r\n    \"colGutterMu\": \"px\",\r\n    \"rowGutterMu\": \"px\",\r\n    \"topFrameMu\": \"px\",\r\n    \"bottomFrameMu\": \"px\",\r\n    \"frameMu\": \"px\"\r\n  },\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 9\r\n    },\r\n    {\r\n      \"relid\": 10\r\n    },\r\n    {\r\n      \"relid\": 11\r\n    },\r\n    {\r\n      \"relid\": 13\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_H1\\\"><span>Allegra Martin and Ciro Battiloro. Living in place<\/span><\/h1><h1 class=\\\"_H1\\\"><span class=\\\"_H1_Grey\\\">11.2<\/span><span class=\\\"_H1_Grey\\\">.2021<\/span><span class=\\\"_H1_Grey\\\">, 9:00 PM<\/span><\/h1>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span class=\\\"_Def_Grey\\\">RSVP<\/span><br \/><a rel=\\\"noopener\\\" href=\\\"mailto:lab27.it@gmail.com\\\" target=\\\"_blank\\\">lab27.it@gmail.com<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Lab27 is pleased to announce the fourth edition of\u00a0INCONTRI DI FOTOGRAFIA, which will take place on\u00a0February 11 at 9:00 PM, streamed live on Lab27\u2019s YouTube channel.<\/p><p>This session will explore the theme of dwelling\u2014its perception and representation. Through\u00a0<b>Ciro Battiloro<\/b>\u2019s work, we enter the lives of two neighborhoods,\u00a0Rione Sanit\u00e0\u00a0in Naples and\u00a0Santa Lucia\u00a0in Cosenza, moving beyond the stigma of hardship.\u00a0<b>Allegra Martin<\/b>\u00a0invites us to rethink our relationship with space, challenging preconceived views and raising a fundamental question:\u00a0where do we live?<\/p><p>With a degree in architecture from Venice and inspired by the teachings of Guido Guidi and Stefano Boeri,\u00a0Allegra Martin,\u00a0originally from Treviso and now based in Milan, has adopted photography as her primary means of artistic expression and interpretation of the world. Her vision of landscape is profound, with a strong aesthetic component that does not aim merely to represent space but to speak of herself in relation to it. This approach has honed her observational skills and allowed her to tackle projects with different objectives: professional work, personal residencies, and self-commissioned endeavors. Whether documenting the walls of\u00a0Castelfranco Veneto, the seaside center of\u00a0Lido Adriano, the legacy of\u00a0Michelangelo Antonioni, the\u00a0National Census of Italian Architecture of the Twentieth Century, post-earthquake\u00a0L\u2019Aquila, or social life in\u00a0Emilia Romagna, her perspective remains consistently autonomous\u2014free from preconceived notions. This independence offers the observer a new way of perceiving space, perhaps even an invitation to see\u2014and reflect\u2014differently. Allegra Martin liberates herself from prejudicial readings, opening the field for new interpretations and empathetic relationships with places, grounded in her own sensitivity.<\/p><p>Two neighborhoods that once pulsed at the heart of their cities, later gradually abandoned and forgotten\u2014the story repeats. Places once central, now rejected by public opinion, labeled as disadvantaged, blamed, misrepresented by coarse communication and sensationalist reporting. Ciro Battiloro confronts this narrative, navigating the entrenched layers of decay to restore dignity\u2014not to poverty itself, but to human lives. He does so with remarkable naturalness, first and foremost a form of respect for the identity and diversity of these places, bearing witness to a sincere need for belonging. This is not a geography of the marginalized, but a search for happiness founded on other forms of wealth. Battiloro presents a different \u201cstate of consciousness\u201d in his photographic practice, going beyond merely documenting the \u201cstate of things,\u201d almost as if crossing a barrier. His work captures a spectrum of gestures, signs, glances, grimaces, and daily life that reminds us that we all travel in the same boat\u2014life\u2014which eventually faces its perils. Here lies the ethical intent: to construct a new common ground, starting from one\u2019s own gaze.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7,\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      }\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16.jpg\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"attid\": 686,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16.jpg\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16-1024x683.jpg\",\r\n        \"_768\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16-768x512.jpg\",\r\n        \"_512\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16-512x341.jpg\",\r\n        \"_265\": \"\/wp-content\/uploads\/2025\/12\/Ciro-Battiloro_Sanita-16-265x177.jpg\"\r\n      },\r\n      \"w\": 1200,\r\n      \"h\": 800,\r\n      \"ar\": 0.6666666666666666,\r\n      \"alt\": \"\",\r\n      \"absolute_position\": false,\r\n      \"textAnimation\": {\r\n        \"enableTextAnimation\": false\r\n      },\r\n      \"caption\": \"\"\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/posts\/685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/comments?post=685"}],"version-history":[{"count":0,"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/posts\/685\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/media\/686"}],"wp:attachment":[{"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/media?parent=685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/categories?post=685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lab27.it\/en\/wp-json\/wp\/v2\/tags?post=685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}