On March 8, 2026, at 4:30 pm Lab27 hosts the talk with Susanna Pozzoli; an opportunity to face an artistic practice that weaves together photography, documentary storytelling, and a sensitive investigation of places, bringing into dialogue memory, labor, craftsmanship, and trades, as well as their transformations and implications. Through some of her most significant projects, Pozzoli shows how the artistic gesture emerges from listening, patient observation, and engagement with stories layered over time: in "Un’estate con Meret Oppenheim" (2015–2021), the artist pays tribute to Casa Costanza, Meret Oppenheim’s holiday home in Carona, a true Gesamtkunstwerk in which architecture, family history, and artistic intervention merge; photographs of the interiors and texts drawn from interviews evoke a presence that is still palpable, inviting the audience to experience this place from an intimate and oblique perspective.In "Simonne" (2021–2023), Pozzoli enters a “sleeping” house-workshop in the center of Doudeville, Normandy, a building that has remained almost untouched for decades and has been tied for six generations to the history of linen production. Here, objects, work tools, textiles, and traces of everyday life become narrative material, transforming a real story of industrial decline into a tale suspended between documentation and fiction, inhabited by the gentle ghosts of those who lived and worked in these spaces.With "Traces" in Montespluga (2022–2025) the research opens up to an experimental and interdisciplinary dimension. The Alpine village becomes a starting point for questioning the relationship between human beings and nature, placing flora, biodiversity, and the signs of climate change at the center. Photographs, sounds, collages, videos, and herbaria, together with workshops and actions shared with residents and holidaymakers, build a fragmented narrative that invites a rethinking of the mountain landscape beyond stereotypes, from a non-anthropocentric perspective.